Well, this will most likely not be in Shakespeare’s vision, but you’re getting an Adam style twist on a classic. Let’s dive into it. Btw, some reason my Firefox is set in British English so if I get the alternate spellings, that’s why.
It was cold in the sepulchre. Romeo saw Juliet lying cold and motionless on the marble slab, and the haunting spirit of the freshly slain Paris still lied in his blood-coated hands. He wandered over towards the slab, cold and lifeless like his eyes at this moment, and placed his hand on her cheek in a vain hope of finding some warmth. As he removed his hand, and he saw a crimson imprint on her cheek covering her right eye. He kissed her lips, and took his final move ever. Upon drinking the poison, he collapsed on top of Juliet. How fitting, he thought, that I fall onto a deathbed.
Upon opening his eyes. Wait! he thought. My eyes are open!
“Where am I?” he wondered aloud. He was going insane. He was just in a sepulchre three seconds ago. And he heard voices. One voice in particular that he just couldn’t help but know.
Mercutio.
His friend was there in front of him with something in his hands. A black metal cylinder with a grid patterned cover on it and a thick black wire running from the base to two giant boxes stacked atop each other with a third, much smaller box with the same width and thickness atop of it. What was this?
“Hey there, slowpoke!” Mercutio repeated. “What’d you do? This is heaven, you know you’re dead, right?”
As Romeo focused his eyes, he saw a few more people by him. Two had things that looked like lutes but were clearly not. They had the same rope plugged into similar boxes. The fourth and final person there was in a suit, had a set of metallic rings tattooed on his neck, and had drums unlike anything he’d seen.
“Who are these people?” Romeo asked dreamily. He surely couldn’t be in heaven, could he? There was no Juliet to be found.
“Well,” Mercutio started off, “These people are from the future. The one with the bass guitar is Paul Gray. He is from the band Slipknot, and overdosed or morphine.” Paul lifted his bass in a greeting, his metal mask striking a strange fear in the heart of Romeo. “The other guitarist is Dimebag Darrell, the guitarist from Pantera. He was shot in the head, but not before revolutionising music forever.” Dimebag performed a line of music so fast Romeo couldn’t even pick up what happened. “Lastly, we have The Rev from Avenged Sevenfold. This drummer, well, let him show you.” The Rev played a beautiful but powerful phrase on the drum kit that Romeo couldn’t help but nod his head to.
“Now Romeo,” the fallen friend said. “I’ve been watching over you for a while. Soon, you will hear our music, but not now. I’m sure you’ve noticed the lack of a certain woman here. Now see that door behind you? You have a key around your neck. To remain here, throw the key away. But I think I know what you wish to do…”
Five months later, Romeo and Juliet now resided in Florence, away from their feuding families. Both houses thought their children dead, but they accepted it after some time. Benvolio escaped with them, and eventually found a woman to call his own. Romeo and Juliet set up a shrine to all the fallen in their short quest for love, and never failed to put flowers on it monthly. They occasionally got letters from Friar Laurence, this time actually delivered by John, updating them of their old home.
And Romeo would often look to the sky, and for some reason unbeknownst to him, think of a strange type of music with strange people. He knew Mercutio would inform him when his time came, and wondered what heaven would be like. All he knew, in the end, was that heaven wasn’t heaven without his beloved Juliet.